Foundations 2026: Artsy
ALLGORITHIM brings a twelve-artist group booth to Artsy's Foundations 2026, gathering painting, photography, and mixed media under a shared instinct for looking closely at memory, identity, and the instability of the present moment. The presentation extends the curatorial logic first drawn together in the gallery's Layered exhibition — that meaning accumulates, that identity forms through sediment — into a fair context built for discovery.
The roster spans a wide range of practice: Zoë Renait's oil paintings of leisure and quiet ceremony, Vincent Lantzy's color-driven portraits examining desire and cultural memory, and Conner Meager's collage-built portraiture rooted in graphic design. Piper Olivas constructs layered visual situations from film photography printed on fabric and silk; Adam Brierley works outward from material residue; Dylan Anthony Roworth merges the mythos of the American West with personal narrative through his recurring cowboy figure. Katarina Holbrough's surreal figures emerge from phthalo green grounds, Preston Douglas Boyer extends his Testimony and zipper-painting bodies of work, Austin Santangelo's film photography favors quiet, lived-in moments, and Jess Kellner's cinematic paintings explore surrender and control. Gaëtan Henrioux and Ethan Schlessinger round out the booth with new work.
Together, the artists reflect ALLGORITHIM's ongoing commitment to platforming distinctive voices at every stage of their careers.
ALLGORITHIM Presents a Group Booth at Artsy's Foundations 2026
Featuring Zoë Renait, Vincent Lantzy, Conner Meager, Piper Olivas, Adam Brierley, Dylan Anthony Roworth, Gaëtan Henrioux, Katarina Holbrough, Ethan Schlessinger, Preston Douglas Boyer, Austin Santangelo, and Jess Kellner
Los Angeles, CA - ALLGORITHIM is pleased to announce its participation in Foundations 2026, Artsy's online fair spotlighting fresh work from tastemaking galleries known for supporting emerging artists. Presented alongside dozens of galleries from across the globe, ALLGORITHIM's booth brings together twelve artists whose practices span painting, photography, and mixed media - united less by medium than by a shared instinct for looking closely at memory, identity, and the instability of the present moment.
The presentation continues threads first drawn together in the gallery's recent Layered exhibition at ALLGORITHIM House, extending that curatorial logic - that meaning accumulates, that identity forms through sediment - into a fair context built for discovery.
Zoë Renait, who studied psychology and presented research on mindfulness at Harvard, brings oil paintings of leisure, intimacy, and quiet ceremony, blurring the line between the luxurious and the sacred. Vincent Lantzy's color-driven portraits and raw mark-making, drawn from his Dollar Erotic series, examine desire, identity, and cultural memory. Conner Meager continues his signature translation of friends, celebrities, and religious iconography into abstracted, collage-built portraiture, rooted in his graphic design background.
Piper Olivas, working across photography, film, found objects, and mixed media, treats her subjects as contingent - shooting on film and printing onto fabric, vinyl, and silk to construct layered visual situations built on suggestion and fractured storytelling rather than fixed narrative. Adam Brierley's mixed-media practice builds outward from residue and material remainder, while Dylan Anthony Roworth's oil paintings merge personal narrative with the mythos of the American West, centering the recurring figure of the cowboy to explore loneliness, identity, and romanticism drawn from his own upbringing and Greek mythology.
Katarina Holbrough's surreal figures emerge from phthalo green fields on black grounds, challenging perceptions of identity and femininity, while Preston Douglas Boyer's contribution extends his ongoing Testimony and zipper-painting bodies of work, tracing concealment, revelation, and rupture across doubt, devotion, and renewal. Austin Santangelo's film photography moves between portraiture and fine-art imagery, drawn to quiet, lived-in moments over constructed ones. Jess Kellner's cinematic, introspective paintings - first shown in her solo exhibition Give to the Pull - explore surrender, vulnerability, and the tension between control and release. Gaëtan Henrioux and Ethan Schlessinger round out the presentation, contributing new work to the booth's broader inquiry into image-making under pressure.
Taken together, the booth reflects ALLGORITHIM's ongoing commitment to platforming distinctive voices at every stage of their careers - presenting them not as a static roster, but as an evolving conversation.
Location: Foundations 2026, presented online via Artsy
Gallery contact: info@allgorithim.com
